"Brad Carlile's Tempus Incognitus at The Independent took us on a tour of brightly colored hotel rooms, rendered in eerie long exposures."

That year chosen as Best Photography Show of the Year

– Richard Speer, Willamette Week

"The conscious choice to photograph places of transience is less a comment on twenty-first-century ennui and dislocation and more about fixing our complicated relationship with time’s passage to a place we know very well: the universal hotel room."

– Todd Tubutis, Director of Blue Sky Gallery

"The luridness of the shade of green in Brad Carlile’s “Deec" — think limeade laced with gangrene — has to be seen to be disbelieved. Androids may or may not dream of electric sheep. But if dream they do, this is what the green in those dreams must look like."

– Mark Feeney, The Boston Globe
Pulitzer Prize-winning art critic