Brad Carlile Photo Blog

At the beginning of April (last week) we walked around Chelsea to see some of the shows at various Galleries.

The first stop was at Yossi Milo Gallery (525 west 25 Street, NYC) to see Myoung Ho Lee’s photographs.  The concept is simple but powerful, Lee singles out one tree in each of his images in Korea, he then separates the tree from nature by putting a huge white sheet behind it.  I like the way it questions subject, representation and art itself.

I found the backlight one below to be particularly interesting. But I must admit that after reading that the following in his artist statement.

To install the large canvases, which span approximately 60 by 45 feet, the artist enlists a production crew and heavy cranes. Minor components of the canvas support system, such as ropes or bars, are later removed from the photograph through minimal digital retouching, creating the illusion that the backdrop is floating behind the tree.

I was a bit dismayed I would have like an even more process heavy that would require no heavy crane and the digital after removal of them. The industrial nature bothered me and subtracted a bit from my experience.

Below is an image by Philippe Azaud at FOLEYGallery (547 W 27th Street, 5th floor, NYC).  I loved this image from the group show.  Michael Foley also stopped by the opening at the Hearst Biennial show that I’m in, so we had a couple of chances to talk this month, which was quite nice.

From there we went to ClampArt (531 West 25th Street, Ground floor, NYC). At FotoFest in Houston I meet Frank Yamrus, who recently had several shows with his “Rune Lagu” which is a series of water bottle portraits.  A new series of his is self-portraits as he turns 50.  They are excellent and you can see them in the back room.  Take a look below…

The main show at ClampArt is well curatored show called… “Kids behaving badly”

Von Lintel Gallery (555 West 25th street, NYC) has the work of Japanese photographer Izima Kaoru. “In this work, Kaoru asks famous Japanese models and actresses to describe fantasies of their own deaths and then stages them for the camera. …
human figure in a landscape juxtaposed against the shock value of death is even more pronounced in this latest endeavor.”

This solo coincides with the publication of Izima Kaoru: Landscapes with a Corpse, a 192-page monograph published by Hatje Kantz.

Aperture has a very strong and moving show by Jonathan Torgovnik that you must see and read more about.
“Intended Consequences: Rwandan Children Born of Rape” From the press release.

During the 1994 genocide, hundreds of thousands of Rwandan women were subjected to massive sexual violence by members of the infamous Hutu militia groups, known as the Interhamwe. Among the most isolated survivors are women who have borne children as a result of those rapes. Due to the stigma of rape and “having a child of the militia,” the women’s communities and few surviving relatives have largely shunned them. Intended Consequences: Rwandan Children Born of Rape brings together Jonathan Torgovnik’s remarkable portraits of these women and children, and their harrowing first-hand testimonies.

Prolific blogger Ed Winkleman has a show at Winkleman Gallery (637 West 27th Street, NYC) by Jennifer Dalton called “The Reappraisal.”

From the press release:
In “The Reappraisal,” everything in the house Dalton shares with her husband and four-year-old son is for sale, provided would-be collectors are willing to pay the price arrived at through her family’s level of attachment to a particular object. Every household item—from graduate student paintings to the cleaning supplies under the kitchen sink to the planter in the back yard—has been photographed and appraised by both her and, again, Christie’s auction house.

Cheim & Read (547 West 25th Street, NYC) has a wonderful exhibition of new paintings by Louise Fishman.

At Derek Eller Gallery (615 West 57th, NYC) is a show where Alyson Shotz investigates issues of perception and space with highly sophisticated sculptures. This is a interesting show where I spent some time just enjoying.

STUX Gallery (530 West 25th, NYC) has the show “Phantom Landscapes,” by Israeli-based multimedia artist Penny Hes Yassour. The space is is transfored by this rubber-like sculpture.

Winston Wächter Fine Art ( ,NYC) has the recent paintings by Angelina Nasso entitled “Miwis.” Great work in a great space.

From the press release:

Angelina Nasso’s oil on paper works are inspired by nature using gem-like circular forms that reference pixilated images and draw upon the theory of subatomic particles in space. She views space as a container of vibrational forces. Nasso describes, “I grew up in the bush in Australia where the nights were very dark. There were no streetlights and hardly any cars went by. In the darkness of a moonless night I would watch space. In this blackness I saw circular forms dancing and vibrating.”

Tags: art, my art, NYC, openings, photography